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thoughts on “innovating away from aid”

February 16, 2010

Some background… this started because of a lengthy comment i made to a NPR piece on aid to Haiti:

This is a really specific example, and definitely an issue on which i feel pretty conflicted. I know a lot of folks who are doing good work in long term positions in other countries, or through projects like City Year. There is also this crazy risk of cultural/social imperialism that worries me, the sort of coming in and doing something regardless of local practices (which may be better geared towards success in the given community).

I used to meet folks doing outreach work during my time living in China, and I even did some outreach work in China… and there was always this sort of problem nagging in my head. While some projects may have more of a pushy cultural aspect than others, I think my real misgiving on doing intense outreach work is that the value and “goodness” of the action is really determined on a case by case basis. I would rather assume good.

Unfortunately, the likelihood of best intentions accompanied by terrible action is more common in situations where speed probably overrules quality and close evaluation, and that’s going to be most prevalent in crisis relief.

This led me to listen to Dambisa Moyo talk on Innovating Away from Aid. She’s a Zambian economist, and if you don’t remember, she was on Colbert in April 2009.

It’s important to go back to this key idea that you don’t want whoever it is to be perpetually dependent on aid. I think in many situations around the world this has turned into some sort of bizarre post-colonial situation where helping only helps to keep people down.

Government involvement is also key, meaning the government of the place involved themselves. You can have amazingly talented and motivated individuals and citizens, but without government involvement things are not going to stick, nor are they going to be widespread.

Aid has contributed to the disfunction of governments. “Aid allows the government to abdicate their responsibilities.” This points out to the need to help build systems that work rather than provide crutches that allow a system to stay broken.

Dambisa Moyo is talking about Africa when she makes these three points, but I look at places like Indonesia, Burma, , Afghanistan, Russia, Haiti, Cuba, Iran, and Columbia, and these same problems abound. Even look at “aid” given in communities in the United States.

One of my favorite comments she makes, and Colbert poked at this back in April, is how unacceptable it is that there is so much celebrity involvement alongside a lack of government involvement. Honestly, the first people that come to mind in speaking about the problems in Africa are… Nelson Mandela, followed (in my mind) by a string of Hollywood faces.

What is the role of celebrity? Are there good examples floating around out there? George Clooney has family in politics, but he doesn’t go around trying to be some sort of spokesperson, though he’s a financial supporter to be sure.

Clooney points to a deeply personal example of Hollywood backlash: His father, former television anchorman and game show host Nick Clooney, lost his congressional race in Kentucky in 2004 after his opponent blasted him for having “Hollywood values.”

“It became an issue of Hollywood versus the heartland,” said Clooney, who opted not to publicly campaign for his father. “I believed I could only do him more harm.” (Daunt, LA Times)

Clooney has still been a very vocal and visible person in issues like Darfur, and I’m not saying that celebrities should totally stay out of anything political… it’s just a matter of trying to put things in the context of an organization, of convincing the media to treat issues seriously, and trying to encompass those who are in the power structure to take a role. More recently, Morgan Freeman also comes to mind as someone using celebrity in a way that *uses* art to portray issues to a wider audience in a sense that (hopefully) includes people in the process and gets people engaged.

Moyo takes it further to his on a truly disturbing flaw in representation aided by celebrity culture: the whole PR approach is negative. We always focus on war, disease, poverty, and hunger. She notes that there are more poor Chinese people on earth than poor Africans and more poor Indian people on earth than poor Africans.

I personally work a lot on China issues and I NEVER thought to make this comparison. Even in China they spend a lot of time lamenting the cause of poor Africans. Why is the picture of Africa one of destitution and despair? Aside from pictures of vast savannahs, deserts, and amazing megafauna, the pictures i most closely associate with the are ones of destitution or devastation.

Africa isn’t alone in this sort of PR black hole. Back in 2001 before my mother came to visit me in China this was *her* impression of where i lived. I remember her surprise at just how nice Hefei was as a city, and how people were generally better dressed than average Americans, even if all they were doing was sweeping the floor or changing tires.

Most basic reason aid doesn’t work: the money/resources are stolen. Corruption seeps into this issue. The Corruption Perceptions Index consistently ranks African countries at the bottom of the heap. Moyo lists several other reasons that aid doesn’t work, and essentially it leads to the lack of public goods, and an especial vulnerability as public goods are primarily funded by aid. This means that government spends its effort trying to curry the favor of donors rather than taking care of the citizens of the country.

Gee, this sounds like the same problem some folks are complaining about where *companies* have more power than the people. As an example, think about the Supreme Court ruling in Jan 2010 about corporate campaign financing, or you can listen to Lawrence Lessig give his thoughts on the matter. Give a quick scan to the commentary and you can get a feel over how conflicted this issue is in the US alone.

Flowing from this lack of government interest in the people and the public, it is incredibly difficult to do business in Africa. Travel, agreements, and currency exchange even between neighbors is extremely difficult to the point where people are going to go somewhere else where it’s easier to do business. In a continent full of young people it may be easy to see why people go from lack of employment to intense civil unrest and chaos. Moyo also looks at this as an inverse Boston Tea Party where there’s no taxation and thus, no representation.

On the hopeful side, places that are putting a dent in poverty are seen as potential models for improvement. China and India, while full of more people in poverty, have also managed to move more people *out* of poverty. There are a whole host of financing projects and business interaction that happens in those places, which lies in stark contrast to flow of aid to governments regardless of results in a manner that pools at one specific point (often the state level).

The saddest implication Moyo points out is this… the only reason these aid projects exist where money is essentially thrown into a black hole, regardless of results: people don’t actually believe Africa can develop. It’s kinda like imperialism all over again from a different angle.

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piecing through paintings

November 24, 2009

so i am taking part in a couple craft fairs in december, which means i’m trying to amass a pile of stuff to show and sell. i have some origami pieces that are fun.  with any luck i’ll have some sculpey pieces started.Since my small paintings were so successful at the last craft fair, i decided to get started on some new small paintings.  i’m posting my progress here because the final pieces will get stuck in the gallery. i like trying to record progress because it shows me what i’m learning, and if i show it to the world at large, it keeps my clean.I spent the length of an entire dvd of Voyager working on these, so that’s probably a bit over 3 hours.  I consider myself about halfway done over the two, though i clearly have more work to do on the mantis piece.

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The mantis is a lot of fun, and inspired by some photos i was looking at of praying mantises, as well as being somewhat steeped in old burlesque photos.

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And this is with come of the color layered in.  It’s both exciting and terrifying to layer in colors.The other piece is taken from an older sketchbook image of a star gazer.

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So far so good.  I feel comfortable enough with the bunnies that I can just sort of fly on this. I’m making an effort to not outline the subjects this time around, as a way to push me to improve my technique.

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sketch sketch sketch

November 10, 2009

So I’ve been trying to get back into the habit of using my sketchbook.  Last month there was a point where I started getting completely overwhelmed and I stopped producing anything useful, plus i was busy.  Definitely hard stuff for me to cope with.I have since jump started the sketching process, gotten a few rough ideas down, have a painting i want to work on, and already ideas in the works for Firefly ticket designs for this year. Huzzah for restorative periods of creativity.  It helps that I’ve been immersing myself in some comics, namely Lucifer, and it’s been tangentially linked to some old ideas of mine.I’ve also been contemplating how to take something like my alphabet book from last spring and apply it to a different sort of deck of cards examining taxonomy.  My goal would be to make non-square cards. It’s delicious imagery to me, though I would need to think hard about things like “back of card printing” and whether i would want to hand-color them or what. I *think* that’s where I’d like to go.Anyhow… last week was also live music galore, with a show on monday night, and anther on thursday. Listening to Faebotica on Thursday inspired a sketch all its own, which has me happy.  Then there’s the little mess of a happy music listener.

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went to Dryden, and fun was had

November 2, 2009

I spent Halloween out in upstate NY with some amazing people for a hugely fun time.  I was on cooking staff with Starving for a couple meals, which was also much fun. We did a pancake breakfast, and a latin/asian fusion lunch complete with much stews, and escabeche.

I didn’t really dress up for Halloween this year, but one party attendee brought buckets of costumery.  I proceeded to muck through the stuff with Casey, and ended up wearing a lot of it… 2 tops, a small hat, and maybe 8 or so skirt pieces. It was a good time, if heavy.

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(casey took a pic of me… you should check out her photostream)

I also gave a talk on molluscs, enjoyed other folks’ presentations, and participated in a crazy balloon launch project. Definitely a rejuvenating awesome experience.

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ooh look, there’s a gallery again

October 27, 2009

well, it’s that time where I get frustrated that everything seems old and broken… so i snagged a gallery script and re-uploaded some of my art, including newer pieces I’ve done from Septempber, some of which I had/sold at the Urban Country Fair in Union Square.Feel free to muck on through. At some point i might re-skin it, but the real important part is that i can upload easily, and it acts as a designated image repository… AND it has an rss feed (if you care about such things… i do).

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red frog heaven revisited

October 21, 2009

so i used to have some mp3s of me singing up in a gallery that i since got rid of, and for a long time this wasn’t an issue.  lately i’ve been thinking that maybe i should try to maintain some record of me singing.  i don’t have any samples of the church stuff or any of the jamming from Firefly this year, but back in 2003 or so Liu Xing and i sat around at his computer and made some terrible recordings of us via his computer.

I mean, it was a basic basic mic, so there’s only so much you can do with the sound, especially from a room that was essentially a concrete box.  Also… we were mostly acoustic and didn’t have a drummer… i remember laughing a lot over rigging up a sandal to a sang egg… so guitar playing on top of half stomping with this thing held on by a nail… it was precious.

You’ll have to pardon the butchered lyrics and particularly butchered Portuguese.  Bossa nova was all the rage so we had a whole Jobim songbook set.

Agua de Beber

Agua de Marcos

Black Coffee

Little Wing

Manha de Carneval

Red House

Samba e Amor

Viva Sonhando

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monkey on my back? more like an angry dragon with ‘roids

August 28, 2009

It’s being a *rough* time for me at the moment.  I’m relocating (down the street) and packing stuff, dealing with things like forgetting where i left my brain.

I am getting through this… it’ll be with bags under my eyes and some scorches on my shoulder, and i’m powering through by the power of awesome music.  I thought I’d share since it’s awesome enough to keep me moving.

First off, Gui Boratto’s remix of Helen Cristina’s “Canto de Ossanha” is righteous. I was walking down the hill saying to myself “I can conquer my DAY now” while dancing.

The second one is from Besh O Drom… a band from Hungary that mixes together so many traditions of music in such an awesome way. The desire to see the madness live has me thinking that maybe planning a trip to Budapest in conjunction with a show might be a fantastic idea.

Listen to Csujogato…. sorry for any craptasticness on the page… only place i could find it to link to.

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yawn?

August 21, 2009

it’s 6:30am and i’ve been up for 45 minutes already.  my whole week has been like this.  i hope it’s just the heat, but i’m trying to take advantage of it.

little bit of cleaning and off to the gym.  crazy.

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sometimes i design things

July 30, 2009

So I showed you the canvas panels i made for firefly.  They are fun.  Two are hanging in my dining room until i move, when i’m not sure where i will put them… since I’m not sure i’ll have enough wallspace anywhere for them.  We’ll see.

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Anyhow… the other thing I did was create a little map logo for our camp:

It was a cute little logo and looked good on the area map.

I also made a ticket design that got used as well, and i didn’t post it earlier out of security concerns, but i feel happy posting it now.  this is essentially the result of “what can i crank out on super short notice before running off to beerfest?”

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race - the teachable moment

July 29, 2009

So of all the crazy coverage and ruminations about the Cambridge Police/Prof. Gates situation, I truly do love the Daily Show’s commentary on what we can learn about all this:

“Don’t forget your #@$*&$ keys.”

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